Így készült a Fáklya

You are the researcher of job "fakl" (lead: fakl-lead) for TatAI Főbérlő (@tataifoberlo), a studio agent in C:\_studio\_agents\tataifoberlo. Work only inside C:\_studio. Read C:\_studio\_agents\tataifoberlo\AGENTS.md "Your job" is NOT yours: you only do this research. Do not touch memory/ or memo.cmd.

## 1. Goal
A new vertical Short (HU + EN, ~70-100 s): the witch girl ("boszi") drives an old Hungarian-street Škoda at night; each upgrade lets her see farther, so she can drive faster; each time someone pops out of the black darkness exactly at the edge of the light, and the car stops exactly in front of her (real reaction time + real braking distance). The plan, with the human's words: C:\_studio\_agents\tataifoberlo\work\bori\faklya\TERV.md. Read it first, completely.

"Done" = these files in work/bori/faklya/, all in natural spoken present-day Hungarian where they are prose for the lead:
1. `TENYEK.md`: every number and claim the video uses, each with 2 independent sources (or one primary source), URL + what the source actually says. Cover at least: driver reaction time used in Hungarian/European driving teaching and in studies (pick one value, e.g. 1 s, and justify); deceleration on dry asphalt for an old car without ABS and with ABS (m/s²); the stopping distance formula; how far each light really lets a driver see a person in dark clothes at night (a torch/fáklya on the car; a carbide/acetylene lamp of the first cars, or a kerosene lamp; an incandescent sealed-beam/bilux low beam of a 1970s-80s car; high beam; an extra roof LED light bar or auxiliary lamps); what the Škoda 105/120 (the typical Hungarian one) had: rear engine, front boot, headlights (round or rectangular, bilux?), top speed, no ABS; whether locked wheels make a car slide and spin (and why: no steering, uneven grip, rear-heavy car), and what ABS does (wheels keep turning, you can steer; distance roughly similar on dry asphalt). Mark what is uncertain; uncertain things stay out of the text.
2. The chain, final: for each stage the sight distance D, the speed v such that v·t_r + v²/(2a) = D (computed, with a table), the time from the girl appearing to standstill, and the stopping position (the girl ~0.3-0.5 m in front of the bumper). Keep the human's ~5 km/h for the torch (choose the torch sight distance so it fits, honestly sourced or labelled as our own light). Stages as in TERV.md (torch → older/brighter lamp → low beam → high beam with skid and spin → ABS (the only non-light upgrade) → a final light). You may change the stages if facts demand it; say why.
3. `hang/sorok.json`: the script, ids F1, F2, ... in order, `{"F1": {"hu": "...", "en": "..."}}`, UTF-8, no BOM. Format: the sinaboto chain, every step two sentences, always at the sentence start: "Csak [the flaw of what we just did]" → "Úgyhogy [the next fix]" (EN: "But" → "So"). First line close to the human's words: "Szóval a fáklyát betesszük az autó elejébe, így már látunk este. Csak lassan kell mennünk, hogy időben meg tudjunk állni, ha valami előbukkan a sötétből." T/1, present tense, short spoken sentences, one checked number per sentence at most, one or two small jokes (the girls on the road are creepy-funny; never explained). The girls are never named. No 2 s silence: if a stop takes long, a short line goes there. Ending: no sequel promise, just "Ha tetszett, iratkozz fel!". EN: natural spoken English, not a word-for-word translation.
4. `ALLAPOT.md`: for every line id, object by object what is on screen and what is not (light type in the holder, speed, who is on the road and what she does, car position and yaw, distances), with the source. The 3D builder builds from it and the image checker compares the render with it. Who pops up where (from TERV.md: a girl in a chair who looks up when the car stops; a working washing machine; two girls carrying a water heater; the spin; the ABS stop; the final line of all of them): the eleven are listed in C:\_studio\_agents\tataifoberlo\work\karakterek\KARAKTEREK.md (do not use "boszi", she drives; "emo" only in the final line). Pick the girl per stage for comedy and silhouette contrast.
5. Update TERV.md's table with the final numbers (add a "v2" section, keep v1).

Read first, nothing else: TERV.md; the model of the previous video's research: C:\_studio\_agents\tataifoberlo\work\bori\pizza\TENYEK.md and ALLAPOT.md (format only), and C:\_studio\_agents\tataifoberlo\.claude\skills\szilvavideo\SKILL.md sections "Szöveg" and "Tényellenőrzés". Use WebSearch/WebFetch for sources (Hungarian sources welcome: KRESZ teaching material, BME, autós szaklapok, Wikipedia HU/EN + a second source).

Check: every number in sorok.json appears in TENYEK.md with two sources, and the physics table adds up (show the arithmetic).

Report (max 15 lines): files written, the final stage table, what was uncertain and left out. Commit your files with git: `git -C C:\_studio commit -m "faklya: kutatas" -- <your files>` (only your files; the repo identity is set, do not change it). End with the attribution line "Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>" in the commit message.

[posta] … a postafiók-blokk, lent egyszer kiírva …

The builder (role fakl-epito) is building the 3D scene in parallel; when your stage table (distances, speeds, who is where) is final, send it one line pointing to TENYEK.md/ALLAPOT.md: `node C:/_studio/_tools/gamepipe/mail.mjs send fakl-epito fakl-kutato "..." --agent tataifoberlo`.

You are the 3D builder of job "fakl" (lead: fakl-lead) for TatAI Főbérlő (@tataifoberlo), a studio agent in C:\_studio\_agents\tataifoberlo. Work only inside C:\_studio; follow C:\_studio\AGENTS.md (headless Edge only via the studio tools, ports 20000-29999, git identity untouched). Do not touch memory/ or memo.cmd. Write your scratch files only under work/bori/faklya/ or the shared asset folders named here.

## 1. Goal
A new vertical Short (9:16, HU + EN, ~70-100 s), made with `_tools/clip` like the previous one (work/bori/pizza-emo). The plan, with the human's words: C:\_studio\_agents\tataifoberlo\work\bori\faklya\TERV.md (read it fully). In short: at night, the witch girl ("boszi", C:\_studio\_agents\tataifoberlo\work\karakterek\boszi\out\boszi-v8.glb) puts a burning torch into a medieval iron wall-torch holder (like on an RPG dungeon wall) that sits where the headlight of an old rear-engined Škoda 105/120-style saloon would be, and drives into total darkness. Each upgrade (better light → farther sight → faster) someone pops out of the pitch black exactly at the edge of the light, and the car stops exactly in front of her (real reaction time and braking distance, real time). They smile at the driver, creepy and funny. The researcher (role fakl-kutato) is writing the facts, the final stage table (sight distance, speed, who is where), the script and ALLAPOT.md (what is on screen per line) in parallel; it will mail you when the table is final. The voice (ElevenLabs, recorded by the lead) comes after the text check; the lead mails you when hang/<lang>/*.wav and hossz.json are in place.

"Done" for you, in this order (ship each step, mail the lead one line when a step can be looked at):
A. Shared, reusable models (studio rule: generic things go to _assets with ASSET.md, preview.png and one index line in C:\_studio\_assets\README.md):
   - `_assets/3d/regi-skoda/` (code-built for three.js like `_assets/3d/regi-swift/swift.js`, PS1 low-poly, no brand marks): a 1970s-80s rear-engined Eastern-bloc saloon of the Škoda 105/120 shape (4 doors, front boot lid, rear engine grille, the typical colours), wheels that spin and steer, body roll/pitch for braking, a driver seat where a character sits visibly through the windscreen, dashboard with a faint light, and a front "lamp mount" system: both headlight sockets can hold a medieval iron torch sconce with a torch (flame + PointLight/SpotLight), or the later lamps (as the stage table says: e.g. carbide lamp, round/rectangular incandescent headlights low/high beam, a roof LED light bar or auxiliary lamps). Optional: brake lights, skid marks.
   - A working washing machine (front loader, drum turns, shakes in spin, door window shows clothes) and a simple chair: put them into `_assets/3d/lakas70/` if they fit its style (read its ASSET.md), else their own folder. The water heater is in `_assets/3d/furdo-bojler/`.
B. The scene `work/bori/faklya/klip/` (start from a copy of work/bori/pizza-emo/klip: clip.json, scene.js, idozites.mjs; pizza-emo/hang/mix.mjs, zene.mjs, srt.mjs for the sound side later): a straight country road at night, asphalt with a centre line, verges, and real darkness: what is beyond the lamp's reach is black (fog/light falloff tuned per stage so the girl is invisible until she enters the light). A kinematic driving module: given v (km/h), sight distance D, reaction time t_r and deceleration a (from TENYEK.md), the girl becomes visible at D, the car keeps v for t_r, then brakes and stops ~0.3-0.5 m in front of her; for the no-ABS stage the wheels lock, the car slides and yaws partly sideways before stopping; for the ABS stage it stops straight. Cameras: the girl's reveal must be readable (her face at least ~12% of frame height for ~1 s at the stop), the driver's face shown in reaction shots. Faces always clear (skill rule "Az arc mindig tiszta", "A szereplő váljon el a háttértől": rim light in the character material, faint dashboard light on the driver).
   Girls: the latest GLBs as in C:\_studio\_agents\tataifoberlo\work\karakterek\short\scene.js `CAST` (paths, face presets, poses); the seated pose as used in work/karakterek/csoport/csapat.json (`ul_terd`, `sit`). Face parts via `_tools/karakter/lap/arc.js` (`Karakter`), see how short/scene.js does it.
C. Timing from the voice: `idozites.mjs hu|en` from hang/hossz.json, each line's shot as in ALLAPOT.md; captions hand-lettered (`_tools/gamekit/lettering.js`), bottom centre, as in pizza-emo; sound: mix.mjs (car sounds in `_assets/audio/auto-sfx`, add what is missing there, ear-safe), lo-fi music not ducked (skill).
D. RC01: render HU and EN 1080×1920 to `work/bori/faklya/out/`.

Read first, nothing else: TERV.md; C:\_studio\_agents\tataifoberlo\.claude\skills\szilvavideo\SKILL.md sections "Kép", "Hang és zene", "Ellenőrzés render előtt"; C:\_studio\_tools\clip\README.md (search it, don't read end to end); work/bori/pizza-emo/ALLAPOT.md sections RC02-RC04 (lessons); the files you copy. Then TENYEK.md/ALLAPOT.md of this job when the researcher mails.

Check: `node C:/_studio/_tools/clip/clip.mjs check . --size 1080x1920` with 0 red (impossible poses, subject at the frame edge), a contact sheet of the frames at every stop (the girl visible only after she enters the light; stopped just in front of her), `_tools/flicker` on a moving-camera stretch. Look at the pictures yourself.

Report (max 15 lines): commits, check results, the paths of the RC01 files, what is left. Commit only your own files: `git -C C:\_studio commit -m "..." -- <files>`, message ending with "Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>". Big media (*.mp4, *.wav) stays out of git (.gitignore as in pizza-emo).

[posta] … a postafiók-blokk, lent egyszer kiírva …

Note: while you wait for the voice, keep building (models, scene, cameras with placeholder durations from sorok.json at ~14 characters/s); wait in the foreground only when nothing else is left.

# Job fakl, text fact check: every claim in the "Fáklya" Short (lead: fakl-lead)

## 1. Why

A vertical Short (HU + EN, ~100 s) for TatAI Főbérlő: a witch girl drives an old rear-engined Škoda 105/120-style car at night. Each upgrade lets her see farther (torch in a medieval holder on the car front → carbide lamp → incandescent low beam → high beam → [ABS, the only non-light upgrade] → roof LED light bar), so she drives faster; each time a girl appears at the edge of the light and the car stops just in front of her, with real reaction time and real braking distance. This run is **after the research, before the script is voiced**: check everything.

You are an independent check. The research files (`C:\_studio\_agents\tataifoberlo\work\bori\faklya\TENYEK.md`, `TERV.md` section v2) were written by our own researcher. Use them as a map of the sources, not as proof: open each source yourself and read what it actually says. Recompute the physics table yourself (s = v·t_r + v²/(2a)).

## 2. What to check

- **The spoken text:** `C:\_studio\_agents\tataifoberlo\work\bori\faklya\hang\sorok.json`, lines F1-F27, both `hu` and `en` (EN must say the same as HU; flag mismatches). Note F12 was changed by the lead after the research to "Csak ötvennel olyan, mintha állnánk." (an opinion, no claim). Pay special attention to: reaction time 1 s; ~30 m low-beam sighting of a dark-clothed person; high beam "at least 100 m"; stopping from 25/50/110/135 km/h; the carbide lamp (water drips on carbide → acetylene, bright white flame; "over a hundred years ago cars used it"); F15 "with locked wheels the rear-engined car spins" (is this honest as worded? if weak, give a wording that is true, e.g. that a locked car can start to spin and cannot be steered); F18 what ABS does; F21 the Škoda 120's top speed ~135 km/h; F23 the LED bar seeing farther than the stopping distance from 135.
- **The on-screen text:** none decided yet; if you think a caption with a number is needed somewhere (e.g. "5 KM/H"), say which numbers are safe to show.
- Language: natural spoken present-day Hungarian; flag anything that sounds translated.

For each claim:
- **✔:** a primary source, or two independent sources (or generally, if the line speaks generally);
- **~:** plausible, but only one source, or another maker or year;
- **✗:** wrong, misleading as worded, or misleading in its order.

Give the source with its page, and for ~ and ✗ a corrected wording in natural spoken Hungarian (and English).

## 3. The state list (`ALLAPOT.md` in `C:\_studio\_agents\tataifoberlo\work\bori\faklya`)

It exists: check every row like a claim (distances, speeds, stopping position, what light is in the holder, who is where, car yaw in the spin). Flag rows that contradict the script or the physics.

## 4. Output

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\KEPELLENORZES-szoveg-1.md` (name it `SZOVEGELLENORZES-1.md`):
- **At the top, for the lead (at most 15 lines):** every ✗ and ~ with the line id and the corrected wording.
- **Then:** one row per claim (claim, mark, source with page, note).

Do not edit the script, the scene or the posts: the lead changes them.

## 5. Report (at most 12 lines)

The commit id, the number of claims, each ✗ in one line, and anything in the state list that the picture probably gets wrong.

## Rules

- Studio rules: `C:\_studio\AGENTS.md`. Work only inside `C:\_studio`. Downloads (sources only) go into `C:\_studio\_agents\tataifoberlo\work\bori\faklya\forras\` (gitignored: add a `.gitignore` line if needed).
- No accounts, no sign-ins, no Studio Chrome. Do not run `memo.cmd`. Use WebSearch/WebFetch for sources.
- Commit only your files, with explicit paths: `git -C C:\_studio commit -m "..." -- <paths>`, identity unchanged (`Studio <studio@localhost>`), the message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`.
- Decide yourself. Mail the lead only when blocked.

[posta] … a postafiók-blokk, lent egyszer kiírva …

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, picture check: find what is wrong in "Fáklya" HU RC01 (lead: fakl-lead)

## 1. Why

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\out\faklya-hu.mp4` (1080×1920, ~117 s) is the RC candidate of a Hungarian vertical Short. A witch girl (silver-lavender hair, huge pointed hat, starry dress) drives an old rear-engined Skoda at night. Each upgrade of the car's front lamp (torch in a medieval wall-holder → carbide lamp → electric low beam → high beam → ABS → roof LED bar) lets her see farther and drive faster. Each time another girl appears out of pure black darkness exactly at the edge of the light, and the car stops just in time, a few centimetres in front of her; the girl smiles at the driver (a bit creepy, a bit funny). Required moments: a girl on a chair who looks up when the car stops (this is the hook: the car stops on the word "előbukkan" in the very first sentence); a working washing machine on the road; two girls carrying a boiler; at 110 km/h the wheels lock and the car spins about 90° before stopping; with ABS it stops straight.

The text has already been fact-checked and fixed (`work/bori/faklya/SZOVEGELLENORZES-1.md`). Now the picture has to be just as true. In an earlier video, metal loops from an earlier building step were still standing in the middle of a room floor; nobody noticed until the human watched it.

**Your job is to find mistakes, not to approve.** Assume that there are some.

## 2. Read only these (all under C:\_studio\_agents\tataifoberlo\work\bori\faklya)

- **The final text with its times:** `out/faklya-hu.srt` (and `klip/idozites-hu.json` for per-line times; skip its `env` arrays).
- **The state list:** `ALLAPOT.md`, including the section "A lead döntései az 1. szövegellenőrzés után" at the end (it overrides earlier rows). Per moment of the story, it says what is there and what is not.
- On-screen labels are hand-lettered captions burned into the frame (speed, distance, "1 MP", "KB. 30 M"...).

Do not read the research or the scene code. Look at the video the way a viewer does.

## 3. How

1. **Frames:** contact sheets every 1.5 s over the whole video, 12 per sheet:
   `C:/_studio/_tools/ffmpeg/bin/ffmpeg.exe -i <mp4> -vf "fps=1/1.5,scale=360:-1,tile=4x3" <scratch>/lap%02d.png`
   (scratch: `C:\Users\Studio\AppData\Local\Temp\claude\bed0a42dabd57c93\7e3f6038-68ff-437d-96c2-c76946d01ab7\scratchpad\kep1\`). For anything unclear, a full-size still: `ffmpeg -ss <t> -i <mp4> -frames:v 1 <scratch>/t<t>.png`. Around each of the 6 stops, take stills every 0.25 s so you can judge the stop itself.
2. **On every frame, list what you see, the small things too:** road, verge, trees, sky, the car and its lamp, the driver, who stands where, what they hold, captions.
3. **Compare each frame with the text spoken at that moment and with the state list:**
   - Anything there that cannot be there yet or any longer (a lamp from a later or earlier stage, a girl who already left, leftovers)? Anything missing that should be there (e.g. the washing machine while "Egy mosógép. Centrifugáz." is spoken)?
   - Does the picture contradict what is said, or show it in the wrong order? Does each caption number match the line?
   - Do girls really come out of black darkness at the edge of the light, and does the car really stop just in front of them (not through them, not metres away)? Does the speed look plausible for the stage?
   - Faces: is the subject's face visible, in frame, not cut off by the frame edge, and is the driver's face readable when she reacts? Is the important thing inside the safe area (about 11-15% from the sides, 12% from the top, 25% from the bottom free)? Captions readable, not covering faces?
   - Impossible poses, clipping (car through a girl, hands through objects), floating objects, the car on the grass, wrong-period objects, misspelled text.
   - The hook: in the first ~8 s, does the car stop at the word "előbukkan" in front of the girl on the chair, and does she look up and smile?

## 4. Output

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\KEPELLENORZES-hu.md`:
- **At the top (at most 15 lines):** every problem, worst first, each with the time, what is wrong, which text or state-list row it contradicts, and the frame file.
- **Then:** a short row per sheet saying what you checked.

Keep the frames that show a problem in `work/bori/faklya/kepellenorzes-hu/` (PNG, scaled to max 720 px high). Delete the rest.

## 5. Report (at most 10 lines)

The commit id and the problems, worst first, one line each.

## Rules

- Studio rules: `C:\_studio\AGENTS.md`. Work only inside `C:\_studio` (plus the scratch folder above). Do not run `memo.cmd`.
- Do not edit the scene, the script or the posts.
- Commit only your file and its frames, with explicit paths (run git from `C:\_studio\_agents\tataifoberlo`, paths relative to it), identity `Studio <studio@localhost>` (already configured), the message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`.
- Decide yourself. Mail the lead only when blocked.

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, picture check: find what is wrong in "Fáklya" EN RC01 (lead: fakl-lead)

## 1. Why

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\out\faklya-en.mp4` (1080×1920, ~117 s) is the RC candidate of an English vertical Short. A witch girl (silver-lavender hair, huge pointed hat, starry dress) drives an old rear-engined Skoda at night. Each upgrade of the car's front lamp (torch in a medieval wall-holder → carbide lamp → electric low beam → high beam → ABS → roof LED bar) lets her see farther and drive faster. Each time another girl appears out of pure black darkness exactly at the edge of the light, and the car stops just in time, a few centimetres in front of her; the girl smiles at the driver (a bit creepy, a bit funny). Required moments: a girl on a chair who looks up when the car stops (this is the hook: the car stops on the words "comes out of the dark" in the very first line); a working washing machine on the road; two girls carrying a boiler; at 110 km/h the wheels lock and the car spins about 90° before stopping; with ABS it stops straight.

The text has already been fact-checked and fixed. Now the picture has to be just as true. In an earlier video, metal loops from an earlier building step were still standing in the middle of a room floor; nobody noticed until the human watched it.

**Your job is to find mistakes, not to approve.** Assume that there are some. A second checker is doing the Hungarian version independently; you work alone on the English one.

## 2. Read only these (all under C:\_studio\_agents\tataifoberlo\work\bori\faklya)

- **The final text with its times:** `out/faklya-en.srt` (and `klip/idozites-en.json` for per-line times; skip its `env` arrays). The burned-in captions should be English in this version: any Hungarian text on screen is a problem.
- **The state list:** `ALLAPOT.md` (Hungarian), including the section "A lead döntései az 1. szövegellenőrzés után" at the end (it overrides earlier rows). Per moment of the story (line ids F1-F27), it says what is there and what is not.

Do not read the research or the scene code. Look at the video the way a viewer does.

## 3. How

1. **Frames:** contact sheets every 1.5 s over the whole video, 12 per sheet:
   `C:/_studio/_tools/ffmpeg/bin/ffmpeg.exe -i <mp4> -vf "fps=1/1.5,scale=360:-1,tile=4x3" <scratch>/lap%02d.png`
   (scratch: `C:\Users\Studio\AppData\Local\Temp\claude\bed0a42dabd57c93\7e3f6038-68ff-437d-96c2-c76946d01ab7\scratchpad\kep2\`). For anything unclear, a full-size still: `ffmpeg -ss <t> -i <mp4> -frames:v 1 <scratch>/t<t>.png`. Around each of the 6 stops, take stills every 0.25 s so you can judge the stop itself.
2. **On every frame, list what you see, the small things too:** road, verge, trees, sky, the car and its lamp, the driver, who stands where, what they hold, captions.
3. **Compare each frame with the line spoken at that moment and with the state list:**
   - Anything there that cannot be there yet or any longer (a lamp from a later or earlier stage, a girl who already left)? Anything missing that should be there (e.g. the washing machine while "A washing machine. On spin cycle." is spoken)?
   - Does the picture contradict what is said, or show it in the wrong order? Does each caption number/unit match the English line (km/h, metres, 1 second)?
   - Do girls really come out of black darkness at the edge of the light, and does the car really stop just in front of them (not through them, not metres away)? Does the speed look plausible for the stage?
   - Faces: is the subject's face visible, in frame, not cut off by the frame edge, and is the driver's face readable when she reacts? Is the important thing inside the safe area (about 11-15% from the sides, 12% from the top, 25% from the bottom free)? Captions readable, not covering faces?
   - Impossible poses, clipping (car through a girl, hands through objects), floating objects, the car on the grass, wrong-period objects, misspelled text.
   - The hook: in the first ~8 s, does the car stop at "comes out of the dark" in front of the girl on the chair, and does she look up and smile?

## 4. Output

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\KEPELLENORZES-en.md`:
- **At the top (at most 15 lines):** every problem, worst first, each with the time, what is wrong, which text or state-list row it contradicts, and the frame file.
- **Then:** a short row per sheet saying what you checked.

Keep the frames that show a problem in `work/bori/faklya/kepellenorzes-en/` (PNG, scaled to max 720 px high). Delete the rest.

## 5. Report (at most 10 lines)

The commit id and the problems, worst first, one line each.

## Rules

- Studio rules: `C:\_studio\AGENTS.md`. Work only inside `C:\_studio` (plus the scratch folder above). Do not run `memo.cmd`.
- Do not edit the scene, the script or the posts.
- Commit only your file and its frames, with explicit paths (run git from `C:\_studio\_agents\tataifoberlo`, paths relative to it), identity `Studio <studio@localhost>` (already configured), the message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`.
- Decide yourself. Mail the lead only when blocked.

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, fixer: turn the "Fáklya" Short RC01 into RC02 (lead: fakl-lead)

You are TatAI Főbérlő's builder for this job (agent folder `C:\_studio\_agents\tataifoberlo`; read its `AGENTS.md` and the studio `C:\_studio\AGENTS.md`). The previous builder (fakl-epito) has ended; you take over its scene.

## Goal

RC01 (`work/bori/faklya/out/faklya-hu.mp4`, `faklya-en.mp4`, 117 s, 9:16) failed the picture check. Fix everything in **`work/bori/faklya/JAVITAS-1.md`** (18 points, Hungarian, the lead's decisions; they win over older plans), then render RC02 HU and EN. The two check reports with times and frames: `work/bori/faklya/KEPELLENORZES-hu.md`, `KEPELLENORZES-en.md` (+ `kepellenorzes-hu/`, `kepellenorzes-en/`). The single most important point: **every one of the six stops must be seen as a stop** (bumper and girl in one shot, gap ~0.4 m readable, held ≥1 s), and the hook (0-10 s) must show the torch going into the car's wall holder and the goth on the chair emerging, the car stopping, her looking up with a visible smile.

## Read first

- `.claude/skills/szilvavideo/SKILL.md` (the human's video rules: face always clear, the thing named is on screen, safe band, no flicker).
- `work/bori/faklya/TERV.md` (v2 table: speeds, distances, stop times), `ALLAPOT.md` (state per line F1-F27, plus the lead's decisions at its end).
- The code: `work/bori/faklya/klip/` (`scene.js` 837 lines, `szakasz.mjs`, `idozites.mjs`, `idozites-hu.json`/`-en.json`, `clip.json`), sound in `work/bori/faklya/hang/` (`mix.mjs`, `zene.mjs`, `srt.mjs`). Git log of commits ff11107c, a57a8f33, b1723fda, 9d26baa7 tells what the last builder did. `_tools/clip/README.md` for check/render. Shared models: `_assets/3d/regi-skoda/`, lakas70 `mosogep()`/`szek()`, characters in `work/karakterek/`.
- The voice and text do NOT change (`hang/hu`, `hang/en`, `hang/sorok.json`).

## Done means

1. All 18 points of JAVITAS-1.md fixed (or, for any you cannot, a one-line reason in your report).
2. `clip.mjs check` for HU and EN at `--size 1080x1920`: 0 red. `_tools/flicker` on the changed stretches: no new real flicker.
3. Render RC02: `work/bori/faklya/out/faklya-hu-rc02.mp4`, `faklya-en-rc02.mp4` (keep the RC01 files), with the mix (music under the voice, no ducking, as before) and SRTs.
4. A contact sheet of the six stops for HU, each a frame from the side/high shot at rest: `out/faklya-hu-rc02-megallasok.png`; and one of the first 10 s at 0.5 s steps: `out/faklya-hu-rc02-hook.png`. Look at both yourself before you report.
5. Reusable things (e.g. an ABS sensor ring/modulator model, a better lamp glass for the Skoda) go to `_assets` with its index line, per the studio rules.
6. Commit with explicit paths (identity `Studio <studio@localhost>`, message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`). Big media (*.mp4, *.wav) stays out of git. Delete your intermediate frames.

## Rules

- Work only inside `C:\_studio`. Headless Edge only via `_tools/edgeprofile.mjs`. Ports 20000-29999 only. Do not run `memo.cmd`.
- Decide yourself; mail fakl-lead only when blocked. Ship: if a point turns out very costly, do the rest, render, and list what is left.

## Report (at most 12 lines)

Commit ids, the RC02 paths and lengths, check results, and per JAVITAS point: done / not done (why).

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, picture check: find what is wrong in "Fáklya" HU RC02 (lead: fakl-lead)

## 1. Why

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\out\faklya-hu-rc02.mp4` (1080×1920, ~117 s) is the RC candidate of a Hungarian vertical Short. A witch girl (silver-lavender hair, huge pointed hat, starry dress) drives an old rear-engined Skoda at night. Each upgrade of the car's front lamp (torches in medieval wall-holders → carbide lamp → electric low beam → high beam → ABS → roof LED bar) lets her see farther and drive faster. Each time another girl appears out of pure black darkness exactly at the edge of the light, and the car stops just in time, about 0.4 m in front of her; the girl smiles at the driver (a bit creepy, a bit funny). Required moments: a girl on a chair who looks up when the car stops (the hook: the car stops on the word "előbukkan" in the first sentence); a working washing machine on the road; two girls carrying a boiler; at 110 km/h the wheels lock and the car spins about 90° before stopping; with ABS it stops straight.

The text is fact-checked. Now the picture has to be just as true. In an earlier video, metal loops from an earlier building step were still standing in the middle of a room floor; nobody noticed until the human watched it.

**Your job is to find mistakes, not to approve.** Assume that there are some.

## 2. Read only these (all under C:\_studio\_agents\tataifoberlo\work\bori\faklya)

- **The final text with its times:** `out/faklya-hu-rc02.srt` (and `klip/idozites-hu.json` for per-line times; skip its `env` arrays).
- **The state list:** `ALLAPOT.md`, including "A lead döntései az 1. szövegellenőrzés után" at the end (it overrides earlier rows).
- **The lead's picture spec:** `JAVITAS-1.md` (18 points the picture must meet; check every one).

Do not read the scene code or earlier check reports. Look at the video the way a viewer does.

## 3. How

1. **Frames:** contact sheets every 1.5 s over the whole video, 12 per sheet:
   `C:/_studio/_tools/ffmpeg/bin/ffmpeg.exe -i <mp4> -vf "fps=1/1.5,scale=360:-1,tile=4x3" <scratch>/lap%02d.png`
   (scratch: `C:\Users\Studio\AppData\Local\Temp\claude\bed0a42dabd57c93\7e3f6038-68ff-437d-96c2-c76946d01ab7\scratchpad\kep3\`). Note: sheet times drift; confirm each problem time with a full-size still: `ffmpeg -ss <t> -i <mp4> -frames:v 1 <scratch>/t<t>.png`. Around **each of the 6 stops**, take stills every 0.25 s from the girl's first appearance to 1.5 s after the stop.
2. **On every frame, list what you see, the small things too:** road, verge, trees, sky, the car and its lamps, the driver, who stands where, what they hold, what lies on the road, captions.
3. **Compare each frame with the text spoken at that moment, the state list and JAVITAS-1.md:**
   - Anything there that cannot be there yet or any longer (an earlier lamp, a girl or prop from an earlier stage, junk on the road)? Anything missing that should be there?
   - Does the picture contradict what is said, or show it in the wrong order? Caption numbers match the line?
   - Does each girl appear out of black at the edge of the light, and is the stop itself shown with the bumper-to-girl gap readable?
   - Faces: visible, not cut by the frame edge or covered by an arm or a caption; the driver's face readable when she reacts; the important thing inside the safe area (about 11-15% from the sides, 12% from the top, 25% from the bottom free).
   - Impossible poses, clipping, floating objects, the car off the road, broken models (spikes, slabs), misspelled text, things that blink.

## 4. Output

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\KEPELLENORZES-hu-rc02.md`:
- **At the top (at most 15 lines):** every problem, worst first, each with the time, what is wrong, which text / state-list row / JAVITAS point it contradicts, and the frame file.
- **Then:** per JAVITAS point one line: met / not met.
- **Then:** a short row per sheet saying what you checked.

Keep the problem frames in `work/bori/faklya/kepellenorzes-hu-rc02/` (PNG, max 720 px high). Delete the rest.

## 5. Report (at most 10 lines)

The commit id and the problems, worst first, one line each.

## Rules

- Studio rules: `C:\_studio\AGENTS.md`. Work only inside `C:\_studio` (plus the scratch folder above). Do not run `memo.cmd`.
- Do not edit the scene, the script or the posts.
- Commit only your file and its frames, with explicit paths (run git from `C:\_studio\_agents\tataifoberlo`, paths relative to it), identity `Studio <studio@localhost>` (already configured), the message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`.
- Decide yourself. Mail the lead only when blocked.

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, picture check: find what is wrong in "Fáklya" EN RC02 (lead: fakl-lead)

## 1. Why

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\out\faklya-en-rc02.mp4` (1080×1920, ~117 s) is the RC candidate of an English vertical Short. A witch girl (silver-lavender hair, huge pointed hat, starry dress) drives an old rear-engined Skoda at night. Each upgrade of the car's front lamp (torches in medieval wall-holders → carbide lamp → electric low beam → high beam → ABS → roof LED bar) lets her see farther and drive faster. Each time another girl appears out of pure black darkness exactly at the edge of the light, and the car stops just in time, about 0.4 m in front of her; the girl smiles at the driver (a bit creepy, a bit funny). Required moments: a girl on a chair who looks up when the car stops (the hook: the car stops on "comes out of the dark" in the first line); a working washing machine on the road; two girls carrying a boiler; at 110 km/h the wheels lock and the car spins about 90° before stopping; with ABS it stops straight.

The text is fact-checked. Now the picture has to be just as true. In an earlier video, metal loops from an earlier building step were still standing in the middle of a room floor; nobody noticed until the human watched it.

**Your job is to find mistakes, not to approve.** Assume that there are some. Another checker does the Hungarian version independently; you work alone on the English one.

## 2. Read only these (all under C:\_studio\_agents\tataifoberlo\work\bori\faklya)

- **The final text with its times:** `out/faklya-en-rc02.srt` (and `klip/idozites-en.json` for per-line times; skip its `env` arrays). Burned-in captions must be English: any Hungarian on screen is a problem (a hand-lettered "ABS" label is fine).
- **The state list:** `ALLAPOT.md` (Hungarian; line ids F1-F27), including "A lead döntései az 1. szövegellenőrzés után" at the end (it overrides earlier rows).
- **The lead's picture spec:** `JAVITAS-1.md` (Hungarian, 18 points the picture must meet; check every one).

Do not read the scene code or earlier check reports. Look at the video the way a viewer does.

## 3. How

1. **Frames:** contact sheets every 1.5 s over the whole video, 12 per sheet:
   `C:/_studio/_tools/ffmpeg/bin/ffmpeg.exe -i <mp4> -vf "fps=1/1.5,scale=360:-1,tile=4x3" <scratch>/lap%02d.png`
   (scratch: `C:\Users\Studio\AppData\Local\Temp\claude\bed0a42dabd57c93\7e3f6038-68ff-437d-96c2-c76946d01ab7\scratchpad\kep4\`). Note: sheet times drift; confirm each problem time with a full-size still: `ffmpeg -ss <t> -i <mp4> -frames:v 1 <scratch>/t<t>.png`. Around **each of the 6 stops**, take stills every 0.25 s from the girl's first appearance to 1.5 s after the stop.
2. **On every frame, list what you see, the small things too:** road, verge, trees, sky, the car and its lamps, the driver, who stands where, what they hold, what lies on the road, captions.
3. **Compare each frame with the line spoken at that moment, the state list and JAVITAS-1.md:**
   - Anything there that cannot be there yet or any longer (an earlier lamp, a girl or prop from an earlier stage, junk on the road)? Anything missing that should be there?
   - Does the picture contradict what is said, or show it in the wrong order? Caption numbers/units match the English line?
   - Does each girl appear out of black at the edge of the light, and is the stop itself shown with the bumper-to-girl gap readable?
   - Faces: visible, not cut by the frame edge or covered by an arm or a caption; the driver's face readable when she reacts; the important thing inside the safe area (about 11-15% from the sides, 12% from the top, 25% from the bottom free).
   - Impossible poses, clipping, floating objects, the car off the road, broken models (spikes, slabs), misspelled text, things that blink.

## 4. Output

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\KEPELLENORZES-en-rc02.md`:
- **At the top (at most 15 lines):** every problem, worst first, each with the time, what is wrong, which text / state-list row / JAVITAS point it contradicts, and the frame file.
- **Then:** per JAVITAS point one line: met / not met.
- **Then:** a short row per sheet saying what you checked.

Keep the problem frames in `work/bori/faklya/kepellenorzes-en-rc02/` (PNG, max 720 px high). Delete the rest.

## 5. Report (at most 10 lines)

The commit id and the problems, worst first, one line each.

## Rules

- Studio rules: `C:\_studio\AGENTS.md`. Work only inside `C:\_studio` (plus the scratch folder above). Do not run `memo.cmd`.
- Do not edit the scene, the script or the posts.
- Commit only your file and its frames, with explicit paths (run git from `C:\_studio\_agents\tataifoberlo`, paths relative to it), identity `Studio <studio@localhost>` (already configured), the message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`.
- Decide yourself. Mail the lead only when blocked.

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, fixer 2: turn the "Fáklya" Short RC02 into RC03 (lead: fakl-lead)

You are TatAI Főbérlő's builder for this job (agent folder `C:\_studio\_agents\tataifoberlo`; read its `AGENTS.md` and the studio `C:\_studio\AGENTS.md`). Two builders before you (fakl-epito, fakl-javit) have ended; you take over their scene.

## Goal

RC02 (`work/bori/faklya/out/faklya-hu-rc02.mp4`, `faklya-en-rc02.mp4`, 117 s, 9:16) is much better than RC01 but failed the picture check again. Fix everything in **`work/bori/faklya/JAVITAS-2.md`** (Hungarian, the lead's decisions; `JAVITAS-1.md` still holds as well), then render RC03 HU and EN.

**The one thing that matters most (JAVITAS-2 §1):** at each of the six stops the girl stands in the middle of the lane on the car's axis, right in front of the bumper (stage 4: facing the driver's door), and the stop is filmed in **pure side profile** (camera perpendicular to the car axis, ~1 m high), so the dark 0.4 m strip of asphalt between bumper and girl is clearly readable, from ~1 s before rest to ≥1 s after. In RC02 the camera looked from the front corner in 3/4, the bonnet overlapped the girl and she seemed to stand beside the car. Do this first, check it on stills, then the rest.

The check reports with times and frames: `work/bori/faklya/KEPELLENORZES-hu-rc02.md`, `KEPELLENORZES-en-rc02.md` (+ `kepellenorzes-hu-rc02/`, `kepellenorzes-en-rc02/`).

## Read first

- `.claude/skills/szilvavideo/SKILL.md` (the human's video rules: face always clear, skin semi-emissive, the thing named is on screen, safe band, no flicker).
- `work/bori/faklya/TERV.md` (v2 table: speeds, distances, stop times), `ALLAPOT.md` (state per line F1-F27 + the lead's decisions at its end).
- The code: `work/bori/faklya/klip/` (`scene.js`, `szakasz.mjs`, `idozites.mjs`, `idozites-hu.json`/`-en.json`, `clip.json`), sound in `work/bori/faklya/hang/`. `git log -5 -- work/bori/faklya _assets/3d/regi-skoda _assets/3d/abs-kit` shows what the last builders did (f05d5474 is RC02). `_tools/clip/README.md` (check/render, `armToHuman` in `_tools/clip/lib/reach.js`). Shared models: `_assets/3d/regi-skoda/`, `_assets/3d/abs-kit/`, `_assets/3d/ruhaskosar/`, characters in `work/karakterek/`.
- Voice and text do NOT change.

## Done means

1. All points of JAVITAS-2.md fixed (or, for any you cannot, a one-line reason).
2. `clip.mjs check` HU and EN at `--size 1080x1920`: 0 red. `_tools/flicker` on changed stretches: no new real flicker.
3. RC03: `work/bori/faklya/out/faklya-hu-rc03.mp4`, `faklya-en-rc03.mp4` (keep RC01/RC02), with the same mix and SRTs (`-rc03` names).
4. Contact sheets for HU, which you look at yourself before reporting: `out/faklya-hu-rc03-megallasok.png` (each of the six stops: the profile frame at rest, full size enough to see the gap), `out/faklya-hu-rc03-hook.png` (0-12 s at 0.5 s steps).
5. Reusable models (e.g. a boiler, an LED bar) go to `_assets` with an index line, per the studio rules.
6. Commit with explicit paths (identity `Studio <studio@localhost>`, message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`). No *.mp4 / *.wav in git. Delete your intermediate frames.

## Rules

- Work only inside `C:\_studio`. Headless Edge only via `_tools/edgeprofile.mjs`. Ports 20000-29999 only. Do not run `memo.cmd`.
- Decide yourself; mail fakl-lead only when blocked. Ship: if a point turns out very costly, do the rest, render, and list what is left.

## Report (at most 12 lines)

Commit ids, RC03 paths and lengths, check results, and per JAVITAS-2 bullet: done / not done (why).

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, picture check: find what is wrong in "Fáklya" HU RC03 (lead: fakl-lead)

## 1. Why

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\out\faklya-hu-rc03.mp4` (1080×1920, ~117 s) is the RC candidate of a Hungarian vertical Short. A witch girl (silver-lavender hair, huge pointed hat, starry dress) drives an old rear-engined Skoda at night. Each upgrade of the car's front lamp (torches in medieval wall-holders → carbide lamp → electric low beam → high beam → ABS → roof LED bar) lets her see farther and drive faster. Each time another girl appears out of pure black darkness exactly at the edge of the light, and the car stops just in time, about 0.4 m in front of her; the girl smiles at the driver (a bit creepy, a bit funny). Required moments: a girl on a chair who looks up when the car stops (the hook: the car stops on the word "előbukkan" in the first sentence); a working washing machine on the road; two girls carrying a boiler; at 110 km/h the wheels lock and the car spins about 90° before stopping; with ABS it stops straight.

The text is fact-checked. Now the picture has to be just as true. In an earlier video, metal loops from an earlier building step were still standing in the middle of a room floor; nobody noticed until the human watched it.

**Your job is to find mistakes, not to approve.** Assume that there are some.

## 2. Read only these (all under C:\_studio\_agents\tataifoberlo\work\bori\faklya)

- **The final text with its times:** `out/faklya-hu-rc03.srt` (and `klip/idozites-hu.json` for per-line times; skip its `env` arrays).
- **The state list:** `ALLAPOT.md`, including "A lead döntései az 1. szövegellenőrzés után" at the end (it overrides earlier rows).
- **The lead's picture spec:** `JAVITAS-1.md` and `JAVITAS-2.md` (where they differ, JAVITAS-2 wins; check every point). Key points: each stop shown in pure side profile with the ~0.4 m gap readable (judge the gap against the car's wheel, about 0.55 m across); the witch seated in the car on a seat, hands on the wheel, with nothing of the car poking into her body.

Do not read the scene code or earlier check reports. Look at the video the way a viewer does.

## 3. How

1. **Frames:** contact sheets every 1.5 s over the whole video, 12 per sheet:
   `C:/_studio/_tools/ffmpeg/bin/ffmpeg.exe -i <mp4> -vf "fps=1/1.5,scale=360:-1,tile=4x3" <scratch>/lap%02d.png`
   (scratch: `C:\Users\Studio\AppData\Local\Temp\claude\bed0a42dabd57c93\7e3f6038-68ff-437d-96c2-c76946d01ab7\scratchpad\kep5\`). Sheet times drift; confirm each problem time with a full-size still: `ffmpeg -ss <t> -i <mp4> -frames:v 1 <scratch>/t<t>.png`. Around **each of the 6 stops**, stills every 0.25 s from the girl's first appearance to 1.5 s after the stop. Also a full-size still of **every in-car shot of the witch**.
2. **On every frame, list what you see, the small things too:** road, verge, trees, sky, the car and its lamps, the driver, who stands where, what they hold, what lies on the road, captions.
3. **Compare each frame with the text spoken at that moment, the state list and the JAVITAS files:**
   - Anything there that cannot be there yet or any longer? Anything missing that should be there?
   - Does the picture contradict what is said, or show it in the wrong order? Caption numbers match the line?
   - Does each girl appear out of black at the edge of the light, and is the stop shown with the gap readable and about the right size?
   - Faces: visible, not cut by the frame edge or covered; the driver's face readable; the important thing inside the safe area (about 11-15% from the sides, 12% from the top, 25% from the bottom free).
   - Impossible poses, clipping (anything through a body), floating objects, the car off the road, broken models, misspelled text, things that blink.

## 4. Output

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\KEPELLENORZES-hu-rc03.md`:
- **At the top (at most 15 lines):** every problem, worst first, each with the time, what is wrong, which text / state-list row / JAVITAS point it contradicts, and the frame file.
- **Then:** per JAVITAS-2 section one line: met / not met (and JAVITAS-1 points that regressed).
- **Then:** a short row per sheet saying what you checked.

Keep the problem frames in `work/bori/faklya/kepellenorzes-hu-rc03/` (PNG, max 720 px high). Delete the rest.

## 5. Report (at most 10 lines)

The commit id and the problems, worst first, one line each.

## Rules

- Studio rules: `C:\_studio\AGENTS.md`. Work only inside `C:\_studio` (plus the scratch folder above). Do not run `memo.cmd`.
- Do not edit the scene, the script or the posts.
- Commit only your file and its frames, with explicit paths (run git from `C:\_studio\_agents\tataifoberlo`, paths relative to it), identity `Studio <studio@localhost>` (already configured), the message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`.
- Decide yourself. Mail the lead only when blocked.

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, picture check: find what is wrong in "Fáklya" EN RC03 (lead: fakl-lead)

## 1. Why

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\out\faklya-en-rc03.mp4` (1080×1920, ~117 s) is the RC candidate of an English vertical Short. A witch girl (silver-lavender hair, huge pointed hat, starry dress) drives an old rear-engined Skoda at night. Each upgrade of the car's front lamp (torches in medieval wall-holders → carbide lamp → electric low beam → high beam → ABS → roof LED bar) lets her see farther and drive faster. Each time another girl appears out of pure black darkness exactly at the edge of the light, and the car stops just in time, about 0.4 m in front of her; the girl smiles at the driver (a bit creepy, a bit funny). Required moments: a girl on a chair who looks up when the car stops (the hook: the car stops on "comes out of the dark" in the first line); a working washing machine on the road; two girls carrying a boiler; at 110 km/h the wheels lock and the car spins about 90° before stopping; with ABS it stops straight.

The text is fact-checked. Now the picture has to be just as true. In an earlier video, metal loops from an earlier building step were still standing in the middle of a room floor; nobody noticed until the human watched it.

**Your job is to find mistakes, not to approve.** Assume that there are some. Another checker does the Hungarian version independently; you work alone on the English one.

## 2. Read only these (all under C:\_studio\_agents\tataifoberlo\work\bori\faklya)

- **The final text with its times:** `out/faklya-en-rc03.srt` (and `klip/idozites-en.json` for per-line times; skip its `env` arrays). Burned-in captions must be English (a hand-lettered "ABS" label is fine).
- **The state list:** `ALLAPOT.md` (Hungarian; line ids F1-F27), including "A lead döntései az 1. szövegellenőrzés után" at the end (it overrides earlier rows).
- **The lead's picture spec:** `JAVITAS-1.md` and `JAVITAS-2.md` (Hungarian; where they differ, JAVITAS-2 wins; check every point). Key points: each stop shown in pure side profile with the ~0.4 m gap readable (judge the gap against the car's wheel, about 0.55 m across); the witch seated in the car on a seat, hands on the wheel, with nothing of the car poking into her body.

Do not read the scene code or earlier check reports. Look at the video the way a viewer does.

## 3. How

1. **Frames:** contact sheets every 1.5 s over the whole video, 12 per sheet:
   `C:/_studio/_tools/ffmpeg/bin/ffmpeg.exe -i <mp4> -vf "fps=1/1.5,scale=360:-1,tile=4x3" <scratch>/lap%02d.png`
   (scratch: `C:\Users\Studio\AppData\Local\Temp\claude\bed0a42dabd57c93\7e3f6038-68ff-437d-96c2-c76946d01ab7\scratchpad\kep6\`). Sheet times drift; confirm each problem time with a full-size still: `ffmpeg -ss <t> -i <mp4> -frames:v 1 <scratch>/t<t>.png`. Around **each of the 6 stops**, stills every 0.25 s from the girl's first appearance to 1.5 s after the stop. Also a full-size still of **every in-car shot of the witch**.
2. **On every frame, list what you see, the small things too:** road, verge, trees, sky, the car and its lamps, the driver, who stands where, what they hold, what lies on the road, captions.
3. **Compare each frame with the line spoken at that moment, the state list and the JAVITAS files:**
   - Anything there that cannot be there yet or any longer? Anything missing that should be there?
   - Does the picture contradict what is said, or show it in the wrong order? Caption numbers/units match the English line?
   - Does each girl appear out of black at the edge of the light, and is the stop shown with the gap readable and about the right size?
   - Faces: visible, not cut by the frame edge or covered; the driver's face readable; the important thing inside the safe area (about 11-15% from the sides, 12% from the top, 25% from the bottom free).
   - Impossible poses, clipping (anything through a body), floating objects, the car off the road, broken models, misspelled text, things that blink.

## 4. Output

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\KEPELLENORZES-en-rc03.md`:
- **At the top (at most 15 lines):** every problem, worst first, each with the time, what is wrong, which text / state-list row / JAVITAS point it contradicts, and the frame file.
- **Then:** per JAVITAS-2 section one line: met / not met (and JAVITAS-1 points that regressed).
- **Then:** a short row per sheet saying what you checked.

Keep the problem frames in `work/bori/faklya/kepellenorzes-en-rc03/` (PNG, max 720 px high). Delete the rest.

## 5. Report (at most 10 lines)

The commit id and the problems, worst first, one line each.

## Rules

- Studio rules: `C:\_studio\AGENTS.md`. Work only inside `C:\_studio` (plus the scratch folder above). Do not run `memo.cmd`.
- Do not edit the scene, the script or the posts.
- Commit only your file and its frames, with explicit paths (run git from `C:\_studio\_agents\tataifoberlo`, paths relative to it), identity `Studio <studio@localhost>` (already configured), the message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`.
- Decide yourself. Mail the lead only when blocked.

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, fix round 3: "Fáklya" RC03 → RC04 (lead: fakl-lead)

## 1. Why

`C:\_studio\_agents\tataifoberlo\work\bori\faklya` is a vertical Short (HU + EN, ~117 s, three.js scene rendered with `_tools/clip`): a witch girl drives an old rear-engined Skoda at night; each lamp upgrade lets her see farther and go faster; each time a girl appears from the dark at the edge of the light and the car stops 0.4 m in front of her. RC03 was built in the last round (commit 86c6fee4: `klip/scene.js`, `_assets/3d/regi-skoda`, `_assets/3d/villanybojler`). Two independent picture checks found what is still wrong. The human's own point, the most important one: in the car the witch must sit in the seat and **hold the steering wheel**, and nothing of the car may poke into her.

## 2. Read first

- `JAVITAS-3.md`: your work list, in order of importance (§1 the witch in the car, §2 stop 4, §3 the final row, §4 objects, §5 faces and poses, §6 if there is time). `JAVITAS-1.md` and `JAVITAS-2.md` still hold; do not regress them.
- The two reports `KEPELLENORZES-hu-rc03.md`, `KEPELLENORZES-en-rc03.md` and their frames (`kepellenorzes-hu-rc03/`, `kepellenorzes-en-rc03/`, named by second).
- `ALLAPOT.md` (the state list per line, F1-F27; the lead's decisions at its end override earlier rows), `klip/idozites-hu.json` / `-en.json` for line times.
- `C:\_studio\_tools\clip\README.md` (check, render, `armToHuman` in `lib/reach.js`), and `.claude/skills/szilvavideo/SKILL.md` "Kép" + "Ellenőrzés render előtt" (in `C:\_studio\_agents\tataifoberlo`).
- `git log -5 -- work/bori/faklya` and `git show 86c6fee4 --stat` to see how the last round rendered (the same render commands, the same output names with rc04).

## 3. Done when

- Every JAVITAS-3 §1-§5 point is fixed, **checked by you on full-size stills** (every in-car shot, each of the 6 stops every 0.25 s around the stop, the final close shots). Put a stop sheet `out/faklya-hu-rc04-megallasok.png` and an in-car sheet `out/faklya-hu-rc04-kocsiban.png` like the RC03 ones.
- `clip.mjs check` passes with 0 red, HU and EN, in 1080x1920.
- Rendered: `out/faklya-hu-rc04.mp4` and `out/faklya-en-rc04.mp4` (plus SRTs), same pipeline as RC03 (voice, music, loudness). No watermark, no upload: the lead does that.
- Reusable model changes go to the `_assets/3d/...` asset with its `ASSET.md` updated (e.g. the Skoda interior / steering wheel). The witch's poses and the scene stay in `klip/`.
- Committed (git from `C:\_studio\_agents\tataifoberlo`, explicit paths, identity `Studio <studio@localhost>` already configured, message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`). mp4/wav stay out of git.
- Delete your intermediate frames and tests when done.

## 4. Report (at most 12 lines)

The commit id, per JAVITAS-3 section: done / not done (and why), and anything you changed that the checkers should know.

## Rules

- Studio rules: `C:\_studio\AGENTS.md`. Work only inside `C:\_studio` (plus your scratchpad). Do not run `memo.cmd`. Ports only 20000-29999. Headless Edge only via `_tools/edgeprofile.mjs`.
- Do not change the spoken text, the voice files or the timings (`hang/`, `idozites-*.json`).
- Decide yourself; mail the lead only when blocked. If a point is impossible, do the closest thing and say so in the report.

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, picture check: find what is wrong in "Fáklya" HU RC04 (lead: fakl-lead)

## 1. Why

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\out\faklya-hu-rc04.mp4` (1080×1920, ~117 s) is the RC candidate of a Hungarian vertical Short. A witch girl (silver-lavender hair, huge pointed hat, starry dress) drives an old rear-engined Skoda at night. Each upgrade of the car's front lamp (torches in medieval wall-holders → carbide lamp → electric low beam → high beam → ABS → roof LED bar) lets her see farther and drive faster. Each time another girl appears out of pure black darkness exactly at the edge of the light, and the car stops just in time, about 0.4 m in front of her; the girl smiles at the driver (a bit creepy, a bit funny). Required moments: a girl on a chair who looks up when the car stops (the hook: the car stops on the word "előbukkan" in the first sentence); a working washing machine on the road; two girls carrying a boiler; at 110 km/h the wheels lock and the car spins about 90° before stopping; with ABS it stops straight.

The text is fact-checked. Now the picture has to be just as true. In an earlier video, metal loops from an earlier building step were still standing in the middle of a room floor; nobody noticed until the human watched it.

**Your job is to find mistakes, not to approve.** Assume that there are some.

## 2. Read only these (all under C:\_studio\_agents\tataifoberlo\work\bori\faklya)

- **The final text with its times:** `out/faklya-hu-rc04.srt` (and `klip/idozites-hu.json` for per-line times; skip its `env` arrays).
- **The state list:** `ALLAPOT.md`, including "A lead döntései az 1. szövegellenőrzés után" at the end (it overrides earlier rows).
- **The lead's picture spec:** `JAVITAS-1.md`, `JAVITAS-2.md` and `JAVITAS-3.md` (the later file wins where they differ; check every point). Key points: each stop shown in pure side profile with the ~0.4 m gap readable (judge the gap against the car's wheel, about 0.55 m across); the witch seated in the car on a seat, both hands on the steering wheel, with nothing of the car poking into her body; no face cut by the frame edge.

Do not read the scene code or earlier check reports. Look at the video the way a viewer does.

## 3. How

1. **Frames:** contact sheets every 1.5 s over the whole video, 12 per sheet:
   `C:/_studio/_tools/ffmpeg/bin/ffmpeg.exe -i <mp4> -vf "fps=1/1.5,scale=360:-1,tile=4x3" <scratch>/lap%02d.png`
   (scratch: `C:\Users\Studio\AppData\Local\Temp\claude\bed0a42dabd57c93\7e3f6038-68ff-437d-96c2-c76946d01ab7\scratchpad\kep7\`). Sheet times drift; confirm each problem time with a full-size still: `ffmpeg -ss <t> -i <mp4> -frames:v 1 <scratch>/t<t>.png`. Around **each of the 6 stops**, stills every 0.25 s from the girl's first appearance to 1.5 s after the stop. Also a full-size still of **every in-car shot of the witch**.
2. **On every frame, list what you see, the small things too:** road, verge, trees, sky, the car and its lamps, the driver, who stands where, what they hold, what lies on the road, captions.
3. **Compare each frame with the text spoken at that moment, the state list and the JAVITAS files:**
   - Anything there that cannot be there yet or any longer? Anything missing that should be there?
   - Does the picture contradict what is said, or show it in the wrong order? Caption numbers match the line?
   - Does each girl appear out of black at the edge of the light, and is the stop shown with the gap readable and about the right size?
   - Faces: visible, not cut by the frame edge or covered; the driver's face readable; the important thing inside the safe area (about 11-15% from the sides, 12% from the top, 25% from the bottom free).
   - Impossible poses, clipping (anything through a body), floating objects, the car off the road, broken models, misspelled text, things that blink.

## 4. Output

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\KEPELLENORZES-hu-rc04.md`:
- **At the top (at most 15 lines):** every problem, worst first, each with the time, what is wrong, which text / state-list row / JAVITAS point it contradicts, and the frame file.
- **Then:** per JAVITAS-3 section one line: met / not met (and JAVITAS-1/2 points that regressed).
- **Then:** a short row per sheet saying what you checked.

Keep the problem frames in `work/bori/faklya/kepellenorzes-hu-rc04/` (PNG, max 720 px high). Delete the rest.

## 5. Report (at most 10 lines)

The commit id and the problems, worst first, one line each.

## Rules

- Studio rules: `C:\_studio\AGENTS.md`. Work only inside `C:\_studio` (plus the scratch folder above). Do not run `memo.cmd`.
- Do not edit the scene, the script or the posts.
- Commit only your file and its frames, with explicit paths (run git from `C:\_studio\_agents\tataifoberlo`, paths relative to it), identity `Studio <studio@localhost>` (already configured), the message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`.
- Decide yourself. Mail the lead only when blocked.

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, picture check: find what is wrong in "Fáklya" EN RC04 (lead: fakl-lead)

## 1. Why

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\out\faklya-en-rc04.mp4` (1080×1920, ~117 s) is the RC candidate of an English vertical Short. A witch girl (silver-lavender hair, huge pointed hat, starry dress) drives an old rear-engined Skoda at night. Each upgrade of the car's front lamp (torches in medieval wall-holders → carbide lamp → electric low beam → high beam → ABS → roof LED bar) lets her see farther and drive faster. Each time another girl appears out of pure black darkness exactly at the edge of the light, and the car stops just in time, about 0.4 m in front of her; the girl smiles at the driver (a bit creepy, a bit funny). Required moments: a girl on a chair who looks up when the car stops (the hook: the car stops on "comes out of the dark" in the first line); a working washing machine on the road; two girls carrying a boiler; at 110 km/h the wheels lock and the car spins about 90° before stopping; with ABS it stops straight.

The text is fact-checked. Now the picture has to be just as true. In an earlier video, metal loops from an earlier building step were still standing in the middle of a room floor; nobody noticed until the human watched it.

**Your job is to find mistakes, not to approve.** Assume that there are some. Another checker does the Hungarian version independently; you work alone on the English one.

## 2. Read only these (all under C:\_studio\_agents\tataifoberlo\work\bori\faklya)

- **The final text with its times:** `out/faklya-en-rc04.srt` (and `klip/idozites-en.json` for per-line times; skip its `env` arrays). Burned-in captions must be English (a hand-lettered "ABS" label is fine).
- **The state list:** `ALLAPOT.md` (Hungarian; line ids F1-F27), including "A lead döntései az 1. szövegellenőrzés után" at the end (it overrides earlier rows).
- **The lead's picture spec:** `JAVITAS-1.md`, `JAVITAS-2.md` and `JAVITAS-3.md` (Hungarian; the later file wins where they differ; check every point). Key points: each stop shown in pure side profile with the ~0.4 m gap readable (judge the gap against the car's wheel, about 0.55 m across); the witch seated in the car on a seat, both hands on the steering wheel, with nothing of the car poking into her body; no face cut by the frame edge.

Do not read the scene code or earlier check reports. Look at the video the way a viewer does.

## 3. How

1. **Frames:** contact sheets every 1.5 s over the whole video, 12 per sheet:
   `C:/_studio/_tools/ffmpeg/bin/ffmpeg.exe -i <mp4> -vf "fps=1/1.5,scale=360:-1,tile=4x3" <scratch>/lap%02d.png`
   (scratch: `C:\Users\Studio\AppData\Local\Temp\claude\bed0a42dabd57c93\7e3f6038-68ff-437d-96c2-c76946d01ab7\scratchpad\kep8\`). Sheet times drift; confirm each problem time with a full-size still: `ffmpeg -ss <t> -i <mp4> -frames:v 1 <scratch>/t<t>.png`. Around **each of the 6 stops**, stills every 0.25 s from the girl's first appearance to 1.5 s after the stop. Also a full-size still of **every in-car shot of the witch**.
2. **On every frame, list what you see, the small things too:** road, verge, trees, sky, the car and its lamps, the driver, who stands where, what they hold, what lies on the road, captions.
3. **Compare each frame with the line spoken at that moment, the state list and the JAVITAS files:**
   - Anything there that cannot be there yet or any longer? Anything missing that should be there?
   - Does the picture contradict what is said, or show it in the wrong order? Caption numbers/units match the English line?
   - Does each girl appear out of black at the edge of the light, and is the stop shown with the gap readable and about the right size?
   - Faces: visible, not cut by the frame edge or covered; the driver's face readable; the important thing inside the safe area (about 11-15% from the sides, 12% from the top, 25% from the bottom free).
   - Impossible poses, clipping (anything through a body), floating objects, the car off the road, broken models, misspelled text, things that blink.

## 4. Output

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\KEPELLENORZES-en-rc04.md`:
- **At the top (at most 15 lines):** every problem, worst first, each with the time, what is wrong, which text / state-list row / JAVITAS point it contradicts, and the frame file.
- **Then:** per JAVITAS-3 section one line: met / not met (and JAVITAS-1/2 points that regressed).
- **Then:** a short row per sheet saying what you checked.

Keep the problem frames in `work/bori/faklya/kepellenorzes-en-rc04/` (PNG, max 720 px high). Delete the rest.

## 5. Report (at most 10 lines)

The commit id and the problems, worst first, one line each.

## Rules

- Studio rules: `C:\_studio\AGENTS.md`. Work only inside `C:\_studio` (plus the scratch folder above). Do not run `memo.cmd`.
- Do not edit the scene, the script or the posts.
- Commit only your file and its frames, with explicit paths (run git from `C:\_studio\_agents\tataifoberlo`, paths relative to it), identity `Studio <studio@localhost>` (already configured), the message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`.
- Decide yourself. Mail the lead only when blocked.

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, fix round 4: "Fáklya" RC04 → RC05 (lead: fakl-lead)

## 1. Why

`C:\_studio\_agents\tataifoberlo\work\bori\faklya` is a vertical Short (HU + EN, ~117 s, three.js scene rendered with `_tools/clip`): a witch girl drives an old rear-engined Skoda at night; each lamp upgrade lets her see farther and go faster; each time a girl appears from the dark at the edge of the light and the car stops 0.4 m in front of her. RC04 was built in the last round (commit 8d8c6d07: `klip/scene.js`, `klip/szakasz.mjs`, `_assets/3d/regi-skoda`). The in-car shots are now right (both hands on the wheel, nothing pokes into her) and so are stops 1, 2, 3 and 5: **do not break them**. Two independent picture checks found what is still wrong; three points failed for the third time (the crouch at the wheel, the goth looking up, the final-row profile), so this time measure them on stills before you render.

## 2. Read first

- `JAVITAS-4.md`: your work list, in order of importance (§1 crouch + ABS box, §2 goth looks up, §3 final row, §4 stop 4, §5 the ABS stop straight, §6 captions/labels, §7 if there is time). `JAVITAS-1..3.md` still hold.
- The reports `KEPELLENORZES-hu-rc04.md`, `KEPELLENORZES-en-rc04.md` and their frames (`kepellenorzes-hu-rc04/`, `kepellenorzes-en-rc04/`).
- `ALLAPOT.md` (state per line F1-F27; the lead's decisions at its end override earlier rows), `klip/idozites-hu.json` / `-en.json` for line times.
- `C:\_studio\_tools\clip\README.md` (check, render, `armToHuman` in `lib/reach.js`), `.claude/skills/szilvavideo/SKILL.md` "Kép" + "Ellenőrzés render előtt" (in `C:\_studio\_agents\tataifoberlo`).
- `git show 8d8c6d07 --stat` and `git log -6 -- work/bori/faklya` to see how the last round rendered (same commands, output names with rc05).

## 3. Done when

- Every JAVITAS-4 §1-§6 point is fixed and **checked by you on full-size stills**, with the measurements JAVITAS-4 asks for (knee and foot on the asphalt, head angle change ≥30°, the final-row gap readable). Sheets: `out/faklya-hu-rc05-megallasok.png` (6 stops, every 0.25 s, plus the final close shots), `out/faklya-hu-rc05-kocsiban.png` (every in-car shot), `out/faklya-hu-rc05-abs.png` (72-90 s every 0.5 s).
- `clip.mjs check` passes with 0 red, HU and EN, in 1080x1920.
- Rendered: `out/faklya-hu-rc05.mp4` and `out/faklya-en-rc05.mp4` (plus SRTs), same pipeline as RC04 (voice, music, loudness). No watermark, no upload: the lead does that.
- Reusable model changes go to the `_assets/3d/...` asset with its `ASSET.md` updated. Poses and the scene stay in `klip/`.
- Committed (git from `C:\_studio\_agents\tataifoberlo`, explicit paths, identity `Studio <studio@localhost>` already configured, message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`). mp4/wav stay out of git. Delete intermediate frames and tests.

## 4. Report (at most 12 lines)

The commit id, per JAVITAS-4 section: done / not done (and why), the measurements, and anything the checkers should know.

## Rules

- Studio rules: `C:\_studio\AGENTS.md`. Work only inside `C:\_studio` (plus your scratchpad). Do not run `memo.cmd`. Ports only 20000-29999. Headless Edge only via `_tools/edgeprofile.mjs`.
- Do not change the spoken text, the voice files or the line timings (`hang/`, `idozites-*.json`); caption layout is yours.
- Decide yourself; mail the lead only when blocked. If a point is impossible, do the closest thing and say so in the report.

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, picture check: find what is wrong in "Fáklya" HU RC05 (lead: fakl-lead)

## 1. Why

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\out\faklya-hu-rc05.mp4` (1080×1920, ~117 s) is the RC candidate of a Hungarian vertical Short. A witch girl (silver-lavender hair, huge pointed hat, starry dress) drives an old rear-engined Skoda at night. Each upgrade of the car's front lamp (torches in medieval wall-holders → carbide lamp → electric low beam → high beam → ABS → roof LED bar) lets her see farther and drive faster. Each time another girl appears out of pure black darkness exactly at the edge of the light, and the car stops just in time, about 0.4 m in front of her; the girl smiles at the driver (a bit creepy, a bit funny). Required moments: a girl on a chair who looks up when the car stops (the hook: the car stops on the word "előbukkan" in the first sentence); a working washing machine on the road; two girls carrying a boiler; at 110 km/h the wheels lock and the car spins about 90° before stopping; with ABS it stops straight.

The text is fact-checked. Now the picture has to be just as true. In an earlier video, metal loops from an earlier building step were still standing in the middle of a room floor; nobody noticed until the human watched it.

**Your job is to find mistakes, not to approve.** Assume that there are some. This may be the final candidate, so everything you miss reaches the viewers.

## 2. Read only these (all under C:\_studio\_agents\tataifoberlo\work\bori\faklya)

- **The final text with its times:** `out/faklya-hu-rc05.srt` (and `klip/idozites-hu.json` for per-line times; skip its `env` arrays).
- **The state list:** `ALLAPOT.md`, including "A lead döntései az 1. szövegellenőrzés után" at the end (it overrides earlier rows).
- **The lead's picture spec:** `JAVITAS-1.md` … `JAVITAS-4.md` (the later file wins where they differ; check every point of JAVITAS-4 and spot-check the earlier ones). Key points: each stop shown with the ~0.4 m gap readable (judge it against the car's wheel, about 0.55 m across); the witch seated in the car, both hands on the wheel, nothing of the car poking into her; no face cut by the frame edge; the witch kneeling (one knee on the ground) at the ABS wheel.

Do not read the scene code or earlier check reports. Look at the video the way a viewer does.

## 3. How

1. **Frames:** contact sheets every 1.5 s over the whole video, 12 per sheet:
   `C:/_studio/_tools/ffmpeg/bin/ffmpeg.exe -i <mp4> -vf "fps=1/1.5,scale=360:-1,tile=4x3" <scratch>/lap%02d.png`
   (scratch: `C:\Users\Studio\AppData\Local\Temp\claude\bed0a42dabd57c93\7e3f6038-68ff-437d-96c2-c76946d01ab7\scratchpad\kep9\`). Sheet times drift; confirm each problem time with a full-size still: `ffmpeg -ss <t> -i <mp4> -frames:v 1 <scratch>/t<t>.png`. Around **each of the 6 stops**, stills every 0.25 s from the girl's first appearance to 1.5 s after the stop. Also a full-size still of **every in-car shot of the witch**.
2. **On every frame, list what you see, the small things too:** road, verge, trees, sky, the car and its lamps, the driver, who stands where, what they hold, what lies on the road, captions.
3. **Compare each frame with the text spoken at that moment, the state list and the JAVITAS files:**
   - Anything there that cannot be there yet or any longer? Anything missing that should be there?
   - Does the picture contradict what is said, or show it in the wrong order? Caption numbers match the line?
   - Does each girl appear out of black at the edge of the light, and is the stop shown with the gap readable and about the right size?
   - Faces: visible, not cut by the frame edge or covered; the driver's face readable; the important thing inside the safe area (about 11-15% from the sides, 12% from the top, 25% from the bottom free).
   - Impossible poses, clipping (anything through a body), floating objects, the car off the road, broken models, misspelled text, things that blink.

## 4. Output

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\KEPELLENORZES-hu-rc05.md`:
- **At the top (at most 15 lines):** every problem, worst first, each with the time, what is wrong, which text / state-list row / JAVITAS point it contradicts, and the frame file. Mark each as **blocker** (a viewer would notice / it contradicts the text) or **minor**.
- **Then:** per JAVITAS-4 section one line: met / not met (and earlier points that regressed).
- **Then:** a short row per sheet saying what you checked.

Keep the problem frames in `work/bori/faklya/kepellenorzes-hu-rc05/` (PNG, max 720 px high). Delete the rest.

## 5. Report (at most 10 lines)

The commit id and the problems, worst first, one line each, each marked blocker or minor.

## Rules

- Studio rules: `C:\_studio\AGENTS.md`. Work only inside `C:\_studio` (plus the scratch folder above). Do not run `memo.cmd`.
- Do not edit the scene, the script or the posts.
- Commit only your file and its frames, with explicit paths (run git from `C:\_studio\_agents\tataifoberlo`, paths relative to it), identity `Studio <studio@localhost>` (already configured), the message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`.
- Decide yourself. Mail the lead only when blocked.

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, picture check: find what is wrong in "Fáklya" EN RC05 (lead: fakl-lead)

## 1. Why

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\out\faklya-en-rc05.mp4` (1080×1920, ~117 s) is the RC candidate of an English vertical Short. A witch girl (silver-lavender hair, huge pointed hat, starry dress) drives an old rear-engined Skoda at night. Each upgrade of the car's front lamp (torches in medieval wall-holders → carbide lamp → electric low beam → high beam → ABS → roof LED bar) lets her see farther and drive faster. Each time another girl appears out of pure black darkness exactly at the edge of the light, and the car stops just in time, about 0.4 m in front of her; the girl smiles at the driver (a bit creepy, a bit funny). Required moments: a girl on a chair who looks up when the car stops (the hook: the car stops on "comes out of the dark" in the first line); a working washing machine on the road; two girls carrying a boiler; at 110 km/h the wheels lock and the car spins about 90° before stopping; with ABS it stops straight.

The text is fact-checked. Now the picture has to be just as true. In an earlier video, metal loops from an earlier building step were still standing in the middle of a room floor; nobody noticed until the human watched it.

**Your job is to find mistakes, not to approve.** Assume that there are some. This may be the final candidate, so everything you miss reaches the viewers. Another checker does the Hungarian version independently; you work alone on the English one.

## 2. Read only these (all under C:\_studio\_agents\tataifoberlo\work\bori\faklya)

- **The final text with its times:** `out/faklya-en-rc05.srt` (and `klip/idozites-en.json` for per-line times; skip its `env` arrays). Burned-in captions must be English (a hand-lettered "ABS" label is fine).
- **The state list:** `ALLAPOT.md` (Hungarian; line ids F1-F27), including "A lead döntései az 1. szövegellenőrzés után" at the end (it overrides earlier rows).
- **The lead's picture spec:** `JAVITAS-1.md` … `JAVITAS-4.md` (Hungarian; the later file wins where they differ; check every point of JAVITAS-4 and spot-check the earlier ones). Key points: each stop shown with the ~0.4 m gap readable (judge it against the car's wheel, about 0.55 m across); the witch seated in the car, both hands on the wheel, nothing of the car poking into her; no face cut by the frame edge; the witch kneeling (one knee on the ground) at the ABS wheel.

Do not read the scene code or earlier check reports. Look at the video the way a viewer does.

## 3. How

1. **Frames:** contact sheets every 1.5 s over the whole video, 12 per sheet:
   `C:/_studio/_tools/ffmpeg/bin/ffmpeg.exe -i <mp4> -vf "fps=1/1.5,scale=360:-1,tile=4x3" <scratch>/lap%02d.png`
   (scratch: `C:\Users\Studio\AppData\Local\Temp\claude\bed0a42dabd57c93\7e3f6038-68ff-437d-96c2-c76946d01ab7\scratchpad\kep10\`). Sheet times drift; confirm each problem time with a full-size still: `ffmpeg -ss <t> -i <mp4> -frames:v 1 <scratch>/t<t>.png`. Around **each of the 6 stops**, stills every 0.25 s from the girl's first appearance to 1.5 s after the stop. Also a full-size still of **every in-car shot of the witch**.
2. **On every frame, list what you see, the small things too:** road, verge, trees, sky, the car and its lamps, the driver, who stands where, what they hold, what lies on the road, captions.
3. **Compare each frame with the line spoken at that moment, the state list and the JAVITAS files:**
   - Anything there that cannot be there yet or any longer? Anything missing that should be there?
   - Does the picture contradict what is said, or show it in the wrong order? Caption numbers/units match the English line?
   - Does each girl appear out of black at the edge of the light, and is the stop shown with the gap readable and about the right size?
   - Faces: visible, not cut by the frame edge or covered; the driver's face readable; the important thing inside the safe area (about 11-15% from the sides, 12% from the top, 25% from the bottom free).
   - Impossible poses, clipping (anything through a body), floating objects, the car off the road, broken models, misspelled text, things that blink.

## 4. Output

`C:\_studio\_agents\tataifoberlo\work\bori\faklya\KEPELLENORZES-en-rc05.md`:
- **At the top (at most 15 lines):** every problem, worst first, each with the time, what is wrong, which text / state-list row / JAVITAS point it contradicts, and the frame file. Mark each as **blocker** (a viewer would notice / it contradicts the text) or **minor**.
- **Then:** per JAVITAS-4 section one line: met / not met (and earlier points that regressed).
- **Then:** a short row per sheet saying what you checked.

Keep the problem frames in `work/bori/faklya/kepellenorzes-en-rc05/` (PNG, max 720 px high). Delete the rest.

## 5. Report (at most 10 lines)

The commit id and the problems, worst first, one line each, each marked blocker or minor.

## Rules

- Studio rules: `C:\_studio\AGENTS.md`. Work only inside `C:\_studio` (plus the scratch folder above). Do not run `memo.cmd`.
- Do not edit the scene, the script or the posts.
- Commit only your file and its frames, with explicit paths (run git from `C:\_studio\_agents\tataifoberlo`, paths relative to it), identity `Studio <studio@localhost>` (already configured), the message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`.
- Decide yourself. Mail the lead only when blocked.

[posta] … a postafiók-blokk, lent egyszer kiírva …

# Job fakl, the LAST fix round: "Fáklya" RC05 → RC06 (lead: fakl-lead)

## 1. Why

`C:\_studio\_agents\tataifoberlo\work\bori\faklya` is a vertical Short (HU + EN, ~117 s, three.js scene rendered with `_tools/clip`): a witch girl drives an old rear-engined Skoda at night; each lamp upgrade lets her see farther and go faster; each time a girl appears from the dark and the car stops 0.4 m in front of her. RC05 (commit 26a2efe0) is nearly final. The human said this is the **last fix round**: RC06 is what goes out. So fix exactly the short list, and break nothing else.

## 2. Read first

- `JAVITAS-5.md`: section A (three blockers: the final-row side profile and uncut faces, the hook stop's gap behind the torch pole, the goth close-up) is mandatory; section B only if each takes minutes. Nothing beyond that list.
- The frames it cites: `kepellenorzes-hu-rc05/`, `kepellenorzes-en-rc05/` (and the two `KEPELLENORZES-*-rc05.md` if you need context).
- `git show 26a2efe0 --stat` and `git log -6 -- work/bori/faklya` for how the last rounds rendered (same commands, output names with rc06). `C:\_studio\_tools\clip\README.md` for check/render.

## 3. Done when

- A1-A3 fixed and **checked by you on full-size stills**: the final-row profile (gap ~0.4 m against the ~0.55 m wheel, goth in front of the bumper, ≥1.5 s), every final-row shot with no girl cut by the frame edge, the hook stop with the gap free of the torch pole, the goth close-up on every frame from 10.5 to 13.5 s. Also re-check on stills that the parts that were right in RC05 still are (in-car hands on the wheel, the ABS kneel, the goth look-up, stops 2-5). Sheets: `out/faklya-hu-rc06-megallasok.png` (6 stops every 0.25 s plus the final shots) and `out/faklya-hu-rc06-kocsiban.png`.
- `clip.mjs check` 0 red, HU and EN, 1080x1920.
- Rendered: `out/faklya-hu-rc06.mp4`, `out/faklya-en-rc06.mp4` (plus SRTs), same pipeline (voice, music, loudness). No watermark, no upload.
- Committed (git from `C:\_studio\_agents\tataifoberlo`, explicit paths, identity `Studio <studio@localhost>` already configured, message ending `Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>`). mp4/wav stay out of git. Delete intermediate frames and tests.

## 4. Report (at most 10 lines)

The commit id, A1-A3 and B: done / not done, the measured gaps, and anything the lead should look at.

## Rules

- Studio rules: `C:\_studio\AGENTS.md`. Work only inside `C:\_studio` (plus your scratchpad). Do not run `memo.cmd`. Ports only 20000-29999. Headless Edge only via `_tools/edgeprofile.mjs`.
- Do not change the spoken text, the voice files or the line timings.
- Decide yourself; mail the lead only when blocked.

[posta] Mailbox. Your role is fakl-kutato; your lead is fakl-lead. Mail is the only way to reach the lead or another agent while you work.
- Send one line: node C:/_studio/_tools/gamepipe/mail.mjs send <to-role> fakl-kutato "<text>" --agent tataifoberlo
- While you work, keep a watcher in the background (Bash, run_in_background: true): node C:/_studio/_tools/gamepipe/mail.mjs wait fakl-kutato --agent tataifoberlo
  New mail reaches you at your next tool call. Act on it and start the watcher again (the command is printed with the mail).
- Mail fakl-lead only when you are blocked, need a decision, or change another job's contract. Do not mail "done": your final message reaches the lead by itself.
- NEVER end your turn to wait. An idle subagent never wakes up again: its watcher, its background commands and new mail no longer reach it.
  To wait for an answer, a background test or a render, wait in the FOREGROUND (Bash, no run_in_background, timeout 300000):
    node C:/_studio/_tools/gamepipe/mail.mjs wait fakl-kutato --fg --agent tataifoberlo
  It returns within 4 minutes (this keeps your 5-minute prompt cache warm), sooner with mail; a background command's
  notification reaches you when it returns. Run it again while you still have to wait. It replaces your background
  watcher (that one exits, code 1); start the background one again when you go back to work.
- After 30 minutes of waiting, stop waiting: mail fakl-lead a line that starts with HANDOFF: (where you are, what you wait
  for, what is left), and end with a final message that starts with HANDOFF:. The lead takes it from there.
- Before your final message, stop your watcher and your servers (TaskStop).